Photography Articles Archives

Creating a Compelling Stock Photo

Diversification and a Primary Focus

There is just no getting around the fact that we are drowning in images and it will only get worse.  As any of you who regularly read this stock photo blog will know, this is something I think about constantly, along with how stock photographers can continue to thrive in such an environment. 

 

I believe in diversification, which in this context, for me, means creating royalty free and rights manage imagery and distributing those images through several agencies. But I have a primary focus. My primary focus is on rights managed images.


Focusing On Rights Managed

There are several reasons I am focusing on rights managed images. First, I believe that overall the payment for those images is more commensurate with the value a user of that imagery receives. That is, for important uses, the price point is higher. Secondly, my percentage is higher.

 

I get twice the percentage for RM as I do for RF. Thirdly, if the pirating of images is ever curbed it will probably be primarily, if not exclusively, for rights managed images.  That reason, however, might be wishful thinking. Who knows.

 

Compelling Photos and Premium Prices

So, given that my priority is rights managed imagery, and given that there is a lot of resistance out in the market to using rights managed imagery, I want to create photos that are so compelling that people will want to use those images badly enough to use the rights managed system and to pay premium prices.

 

But what makes a picture compelling? It can be a lot of things. It can be that the photograph is unique in its content, or has a style that sets it apart, or perhaps it is just that the image is perfect for a particular users need.

 

Information and Data Management

The idea for this image came from a topic that seems to be very much on every photographer’s mind; data management. Particularly as stock photographers we have to deal with storage, retrieval, tracking, uploading, and tagging our digital assets. 

 

We have to enter metadata, track sales and, heck, even pay attention to our social media efforts. Information, data and digital asset management takes a huge chunk of my available time, and so it is reasonable to conclude it must be something that every business is struggling to keep on top of.

 

In my mind that means that there is a market for imagery that addresses information management and technology as a general concept.  There is opportunity here to create images that can both stand out from the crowd (hey, another great concept) and be applicable to a wide range of products and services.

 


Intention, Streaking Lights and Information Flow

I gave myself the intention of coming up with an image that would illustrate a futuristic sense of data management and technology that would be appropriate for a large range of applications. Then I began to go through my files (I use bridge because I am too lazy to learn Lightroom or the various other programs available) and look for something that might spark my imagination. 

 

I came across this cool shot of streaking lights at night that seemed to me could illustrate data or information flow.  I began to “play” with the image to see if I could make it look as if it were streaking through an urban environment. 

 

After about an hour-and-a-half of trying different combinations of images I realized that what might really make the image come together was a person.  At that point I put the half-complete image into an “ideas” folder and decided to complete it after shooting a model in an appropriate pose.


A List, a Model and Getting To Work

Two weeks later (last week) I was ready to hire a model to use for this and a number of other ideas. I like to create a list of ten to twenty ideas and then do a shoot to get the parts for them.  Last Saturday I photographed the model.

 

Yesterday I got around to stripping her out, pasting her into the streaking light image and getting to work.  I spent about three hours noodling with the image before I felt it was complete.

 

 

Flexible Cropping, A Sense O Place and Motion

A couple of points that I feel are important.  As I referred to in an earlier stock photo blog, I created the image so that it could be cropped as a vertical or horizontal, as a spread in a magazine, or as a magazine cover. It can work as a billboard or in a newsletter.

 

The image is a bit busy at thumbnail size, but its square crop insures a maximum footprint when viewed on a stock site, and the story can still be grasped quickly.  By having a hint of a city skyline in the background the image is given a “sense of place” which is an important plus for a stock photo.

 

Tom Grill, a true master of stock photography, is fond of saying that “motion sells” and the streaking lights give us that sense of motion.


Headlines, Art Directors and Designers

The woman is re-directing the flow of information and apparently pleased at what she is doing. The image can adapt easily to various headlines such as “Get A Handle On Your Data Management” or “Information Distribution At Your Finger Tips”.

 

I will quit with the mock headlines before I lose too many readers! Perhaps most importantly, I haven’t seen this approach done by any one else yet. I believe it to be new, fresh, attention getting and relevant to a need in the marketplace.  I just hope art directors, art buyers and designers agree with me!

 

Intention, Interesting Images, And A Targeted Shoot

To kind of sum things up, I set my intention to come up with an information technology stock photo. I utilized a collection of interesting images I keep on hand, for possible inclusion in stock photo composites, to help come up with an idea.

 

With an idea in mind (actually a list of approximately fifteen ideas in this case) I hired a model and did a very targeted shoot.  As I composited the image I kept in mind important criteria for a successful image. Last, but not least, before I left my studio yesterday I submitted the image to a stock agency.  Now on to the next one!

Funny Pics, Images, and Stock Photography: Silly Pet Pics

People and Animal Pics: Silly Pet Pics and Silly Cat Pics

John Lund Stock Photos: cat sits beneath a hair dryer in a beauty salon

Article Source:http://www.articlesbase.com/digital-photography-articles/creating-a-compelling-stock-photo-1651902.html

Why ISO Still Matters for Digital Cameras

In traditional film photography of the past, the film you used was based on the ISO setting, also sometimes called the ASA. When purchasing film, you typically asked for a roll of ISO 64, or 100 or 200. The ISO is a measure of the film’s sensitivity to light. The lower the ISO number, the less sensitive the film is to light. The higher the ISO number, the more sensitive the film is to light.

In practical terms what this meant was that when you were in low light conditions, such as indoors at a family event, you would want a higher ISO film; maybe a 200 or 400.  Of course you could use the flash, but there are some instances when even the flash won’t help such as at a sporting event in a large arena or an outdoor night scene.  Another characteristic of the film is that an ISO 100 film is considered slower. This means the shutter of the camera must remain open longer to expose the film. A higher ISO film can have the shutter open for just a fraction of the time to capture the same image. Great, you ask, what does all this ancient history about film have to do with modern digital cameras?

Digital cameras also have an ISO setting. However instead of being set each time you change the film, you can change the ISO setting for each picture. The ISO setting you select, or the one the camera auto selects for you can make a big difference in the quality of your image. In the old days of film, a higher ISO film would produce a grainy shot. Imagine the pixels on your laptop were spread farther apart. Instead of being tightly packed as they are normally, there is a slight distance from one to the next, not much, maybe a few microns. How would your image look?  Not as sharp and crisp and the colors would not be as rich and saturated. This is how film grain looks. The higher the ISO, the further apart are the “pixels” that make up the shot.

Digital cameras have their own version of grain called digital noise. Generally the higher the ISO you select, the more digital noise you will get too. Although digital noise is generally an unwanted characteristic of a digital photo, you can use it as a creative design element. This may be something you want for some artistic shots, but probably not for the typical head shots of your family.

So the best thing to do is to check the ISO setting of your digital camera. If it is auto selected, make sure in low light conditions you select the setting you want and let the flash (and a tripod) compensate for the poor lighting. That way your photos will look great no matter what the conditions.

For more great tips on improving your photography and where to find the best deals on point and shoot digital cameras visit http://www.pointandshootdigitalcamerasguide.com right now.

Article Source:http://www.articlesbase.com/digital-photography-articles/why-iso-still-matters-for-digital-cameras-1650681.html

Downloading Photos from your new iPhone can be done

About two years ago my wife discovered that she had a passion for photography, and the good news is she seems to have a naturally ability to take wonderful photos. Therefore, when I upgraded my cell phone a few months ago I knew that access to all the great photos Nicole takes would be important.

Although most of the shots I download will, be taken with a Canon the quality of the iPhones camera is very good. For an amateur like my self it takes very adequate photos and the obvious advantage is it is always in my pocket.

We currently have a windows PC and laptop at home, it is a goal to purchase a Mac for the photography business, so I will detail instructions about the downloading process for both systems.

Most things on your iPhone are managed through iTunes but when it comes to the camera on your phone that is a little bit different.

If you treat the iPhone just like you would any other digital camera you will be on the right track.

You will need to have selected some software to import photos onto the iphone and it will automatically launch when you plug the phone into your computer.

 

 What Software can I use?

There are many options like Photoshop elements or lightroom,Apples aperture or Adobes Bridge downloader just to name a few. Obviously a few minutes on Google will give you many options and many facts about, the various software offered.

I will forget the fancy options for a minute and provide you with some basic instructions on photo downloading.

 

Windows User

 

When you plug your iPhone in the Windows camera wizard should cut in and then it will simply allow you to download the images you have taken to a folder you set up on your computer.

 

Mac User

 

For Mac users iPhoto or image capture will launch and ask you if you wish to import your shots.

Any of the above-mentioned programs will allow you to download your photos and do whatever you would like with them. The files will save as JPEG files.

Remember that whatever software you install to import your photos will normally launch automatically.

I am finding a number of business applications for my new iPhone so I have decided to document in article form each new use that I find. If you do not have an answer to a particular iPhone question, try searching my name and iPhone and the answer may just turn up.

Paul Ingersole is an Australian based business person who enjoys writing.Paul discovered a great system that makes small continuous recurring profits using the internet.You can see Google Sniper at Paul’s website

http://www.guruswipe.com

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Choose the Right Image File Format For Your Needs

When you are taking photos with a digital camera, be it a point and shoot or a 35mm SLR, the image you capture is stored to a memory card using a particular file format. Most digital cameras offer you the ability to store files in JPEG, TIFF or RAW format.

By far the most commonly used format is JPEG. The reason it is so common is that it offers a good balance between image size and image quality. That means simply that it produces a good quality image and takes up minimal space. However the JPEG format is a lossy format. This means that it uses a mathematical formula to reduce the file size and as a consequence, some of the image quality will also be reduced.

Unlike JPEG, TIFF and RAW formats are non-lossy, meaning the entire image is saved with no loss in image quality. The downside of course is that the images are much larger. This means you can shoot and store fewer images on the same size memory card. For example, on the Nikon Coolpix 5700, a 5MB image will consume 14.5 MB as a TIFF, 1.5 MB as a JPEG and 7.8 MB as a RAW image.

A TIFF is a completely identical rendering of the image that was captured and can be viewed on most computers with the proper software. RAW images are similar to shooting a digital negative. This means that some additional post processing will be needed to view the image. A tool such as Photoshop will be necessary along with the proper plugins to handle the viewing and processing of a RAW image once it is transferred to your computer.  RAW images are great since it allows an experienced user to make changes to the photograph in the computer. Camera settings such as white balance, contrast, saturation levels, sharpening and so on are all possible to modify with a RAW image. Modification to these settings is not as easy with a JPEG or TIFF image.

Some cameras offer a compromise. For example my Nikon D80 will allow me to set it to capture both a JPEG and a RAW image each time I take a picture. That way I have the quick and dirty JPEG to enjoy and a RAW image to manipulate later. This feature is rare on most point and shoot cameras.

For more great tips on improving your photography and where to find the best deals on point and shoot digital cameras visit http://www.pointandshootdigitalcamerasguide.com right now.

Article Source:http://www.articlesbase.com/digital-photography-articles/choose-the-right-image-file-format-for-your-needs-1646612.html

Ask and Ye Shall Receive – As Applied to Stock Photography

And Wonderful Idea and a Book

A number of years ago I was interviewed as an early adopter of Photoshop, as part of a book on Adobe Photoshop. When the new book came out, the writer sent me a copy.  The book was very beautiful and I phoned her up to congratulate her. I then asked her what her next project was.

She replied that she didn’t know yet what her next project would be. I  immediately suggested that she write a book on me… and she replied that it was a wonderful idea! A year later my book on Photoshop (Adobe Masterclass: Photoshop Compositing with John Lund) came out.

Would You Model For Me?

A few days ago I had just boarded a plan back from New York when a very attractive young woman sat down next to me. After a very brief conversation I asked her if she would model for me (I always cringe when I ask that…). She agreed and two days later we were shooting. The shoot turned out great and I got great model released stock photo images, as good or better than I had imagined when I first asked her if she would model for me.

Photo Shoots of Operations and Physical Therapy

Three times I have asked surgeons if I can either have my operation photographed, or, if I can use their facilities to stage a stock photo shoot. Amazingly enough, that has resulted in two actual still photo shoots of operations on me (including a video in which a mesh is installed beneath my abdominal muscles) and an extensive shoot in a physical therapy facility virtually for free (OK, the operation did cost me $10,000.00).

Tony Stone and a Career in Stock Photography

Way back before the beginning of time I once asked Tony Stone if he would loan me enough money to buy a powerful computer so that I could create cool stock photos for him (his company, Tony Stone Images, was the company purchased by Jonathan Klein and Mark Getty and turned into Getty Images).  Amazingly enough Tony said yes and my career in stock photography took off.  Of course, the answer isn’t always yes. I would like to point out I first asked the owner of another stock agency for the money to buy the computer, but he declined.  Silly man!

 
The Most Important Question

In yet another ancient and audacious act of asking, I approached the owner of a photo lab (remember those?) if he would loan me $5,000.00 to purchase a Beta copy of a program called Live Picture.

Back then Live Picture had layers and a liquefy filter as well as “history” and Photoshop did not. He loaned me the money, I bought Live Picture and for quite a few years was able to work far more efficiently for certain tasks than I could with Photoshop. In fact, the very first job I did with Live Picture that I could not do with Photoshop netted me a not-too-paltry $11,000.00 profit!

Of course, Live Picture lost the battle to Photoshop and there are few people left who even remember it. Oh well….

Perhaps the most important question of all, though, is one to ask your self. That question is: Why not?

Stock and funny pics: Circuit Board With Human Face Emerging

Stock Photos and Pics: Happy Young Black Girl

Funny Pics and Stock Photos: Fat Elephants

Article Source:http://www.articlesbase.com/digital-photography-articles/ask-and-ye-shall-receive-as-applied-to-stock-photography-1642559.html

Digital Macro Photography Tips

There are several ways to see everyday objects, but to see it from different angles, has a new or unusual lighting conditions, something very special to be considered. Here, the fascination with digital macro photography you will see things and live very close and is considered by many people in authority as a form of digital art. Something as mundane often seem a fascinating vision and creativity of an artist and a person with a technical as well.

Art has never claimed to contain all the truths of life, but shows the world through the eyes of the artist, and saw macro photography digital images we can share the opinions of others. It seems simple, but new to the digital macro photography is an art form, as mentioned above, and there are many things before you try to be observed.

One of the skills you need for macro-photography is an eye for beauty, from persons, it is estimated that your photos, but that all what you need. Tripods are a very useful device, but not always practical, so there will be many occasions, needing a strong hand.

Other skills are also needed to get good photos also affect how light and shadow contrast images as well as knowledge about the functions of the camera if you want the image the way that they hoped to follow.

Although you can actually edit a digital macro photography with a computer has, the less you need to adjust the image more natural and proud that will be the final result. Improve your skills will be priced as additional courses, but until then you can take digital photographs of macro and common themes that people appreciate the effort that must be addressed.

Remember that everything looks different and is an integral part of the human psyche and do not appreciate all your efforts. I think I need you to buy a camera capable of the quality of macro-photography and digital talk at home, but the best tools we can to work properly? But remember that its digital macro photography is a highly specialized area of the image, and not all cameras, the receivables in a position to do this, the level you need.

With the best equipment, if you want the best results because the work of digital macro photography can often be difficult, not the result that everybody sees. If you have the right tools for digital macro photography, you will be able to achieve their goals and show their pictures as you want to be seen.

Many people underestimate the power of images of macro images can usually have most of the response of nature. The world is fascinating and macro challenges our imagination, especially when we know that is what we see really genuine. Choose your subjects carefully if you are a good response from the viewer, the pictures developed to ask people what they see around them and do not get what to do.

George S. is a freelance writer, you can read more of his jobs about True Religion Jeans On Sale and Mens Designer jeans

Article Source:http://www.articlesbase.com/digital-photography-articles/digital-macro-photography-tips-1635534.html

DIGITAL CAMERA: THE FUTURE OF CAMERAS

 Since the images that a digital camera captures is in electronic form, it is a language recognized by computers. This language is called pixels, tiny colored dots represented by ones and zeros that make up the picture that you just took. Just like any conventional cameras, a digital camera is furnished with a series of lenses that focus the light and creates the image that you want to capture. The difference here is then; a conventional camera focuses its light on a film while a digital camera focuses the light into a semiconductor device that electronically records the light. Remember the built in computer, it comes in here and breaks this information to digital data resulting to all the features of the digital camera.

Another feature of the digital camera is that it has a sensor that converts light into electrical charges. A charge coupled device or CCD is an image sensor that is found in a digital camera. While other low-end digital camera use complementary metal oxide semiconductor or CMOS as an image device, it can still become better and more famous in the future but most engineers are do not believe that it can replace the CCD for higher-end digital cameras.

A collection of tiny diodes, the CCD gathers electrons when they are struck by photons or the light particles. Each diode or photosite is sensitive to light, meaning that the brighter the light, the number of the electrons gathering will be larger

The price of a digital camera nowadays have been depreciating, one of the main reasons of this is because of the introduction of CMOS image sensors, this is because CMOS sensors are less expensive and are easier to manufacture than CCD sensors. A CCD and CMOS sensor works the same way at first, by converting the light electrical charges into photosites. Simply putting it, is to think that a digital camera works in such a way as thinking that the millions of tiny solar cells, each of which forms a part of the whole image. Both CCD and CMOS do this task using different methods.

When shopping for the best digital camera, take note of these key features.

Image quality. Check the resolution of the camera. The higher the resolution, the more thou will be able to enlarge your picture without the grainy or the out-of-focus effect that we all want to avoid.

Lens. Choose a digital camera with better digital zoom. The digital zoom of the camera will enable you take the pixels from the image sensor and incorporate them to make an image.
Power. Always opt for rechargeable batteries, they can always come in handy, plus you don’t waste as much money on the disposable ones.

Options. So you can brag to your friends how good a photographer or artist you are. Or choose the one that gives options that best cater to your lifestyle, so you won’t ever whine how you never get the right pictures.

Memory.  If you’re a photo freak, be sure that you have enough memory in your camera to take all the wacky, freaky, funny and just about any photo you can. Think 512MB if you’re a photo junkie and takes pictures of just about anything.

Computer Interface. Always make sure that it is compatible with your PC, laptop, palmtop or whatever your local picture printer software is, you don’t want to go running around the whole state or the country looking for a computer that’s compatible with your digital camera, wont you?!

Physical. If you are going to be bringing it everywhere, choose a handy and portable digital camera. This way, it won’t always feel as heavy and bulky as those cameras that you see professional photographers are always dragging on their neck. Don’t they ever get tired of that?!

These are just the basic things you have to look for in a digital camera when you buy one. A digital camera is so great that it is quickly replacing all conventional cameras in the market, with all its technology and portability, truly the digital camera is the future of cameras.

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UNDERWATER DIGITAL CAMERA: CAPTURING MOMENTS UNDERWATER

 An underwater digital camera is not just used to capture underwater memories; some professional marine photographers also use underwater digital cameras in their business. Even marine biologists and scientists use underwater digital cameras to capture marine life and thus be able to study the life and properties of the marine life. But I think it is safe to assume that you, my reader, are neither a marine scientist nor a professional photographer. Like me, you are just some photo junkie who wants to capture underwater moments and just cant figure out how without ruining your cameras.

Please listen to me when I say that even waterproof cameras cannot withstand underwater photography. To be waterproof is to resist the water in certain levels, submerging in under the water to get the perfect shot is like throwing it out of the window expecting a pick-up truck to pass by and run over it.

Now if you’re really serious about using an underwater digital camera to capture those wacky and funny moments underwater, I suggest that you buy specialty cameras.

There are rarely underwater digital cameras, as cameras are electronic and cannot withstand water and water pressure. The closest electronics has ever got to producing underwater digital cameras are producing underwater casings for digital cameras. These casing will turn your conventional digital camera into an underwater digital camera.

If you are shooting with your underwater digital camera, you need to take note of a few things to help you come up with the best images underwater.

Remember that as you farther under water, light diffuses. This means that your underwater digital camera will produce images darker than those images you took while on land – this is because of the light diffusion the red spectrum seems darker. To avoid this, use white balance come up with natural colors. Also, pictures taken underwater will come up larger than pictures taken on land with the same zoom effect. Be sure to check your underwater digital camera’s viewfinder to check the right picture angle and size that you want.

An underwater digital camera with its built-in flash will produce marine show phenomenon. It is a phenomenon wherein your pictures come out as blurry and with white particles floating above it, to avoid this phenomenon it is advisable to use external flash for your underwater digital camera.

Before using your underwater digital camera, submerge the camera in the water first for several seconds then check if there are leaks through the case. Make sure that no grain of sand or piece of hair is stuck in between the seal to make sure that water will not permeate the case and thus wet your camera in the process. It is also advisable to put silica gel or two inside the case of your underwater digital camera as long as they don’t disturb the camera’s operation. (Silica gel will keep the moisture from forming inside your camera case.)

Most underwater digital cameras come with optional lenses. Don’t be afraid to add these lenses to your underwater digital camera kit. Macro lenses will help you capture small things without getting too close and startling your subject.

Also, remember to always wash of salt when you’ve used it under salt water. If the salts are not washed off, in time they will crystallize; act as sands and cause leaks for your camera case. In cases when sands seem to get into the case, they are better washed off with streams of water.

Check out Sony, Nikon and Canon’s website for available underwater cases for your digital cameras.

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Casio Exilim Digital Camera Review

For the average tourist, grandparent, or digital camera-phobe, the Casio Exilim EX-Z9 should be enough to make the grade. Easy to navigate menus and settings, especially clearly marked Best Shot scene modes Images noisy above ISO 200; ISO 800 and 1,600 (only available in Anti-Shake and High Sensitivity modes) shots not suitable for printing LCD’s resolution should be higherSome purple fringing in areas of high contrastHard to operate zoom rocker when one-handing cameraSome softness in corners of photosDivX movie playback not supported on Mac operating systems”Old Photo” mode decreases sharpness and increases noiseLimited User ManualPrints only good to 8×10; not great for croppingA slight watercolor look to images due to anti-noise processing that destroys detail. It has a wonky zoom toggle design, a low resolution LCD screen, and it also takes beautiful images.

Combining a slim-lined body with amazing High Speed features, the EX-FS10 is the perfect camera for capturing your friends and family at play. No other prosumer camera has faster shutter-speeds, and no other prosumer camcorder has anything close to its ultra-high frame-rates. Today’s Casio OfferingsCasio primarily offers digital cameras for the beginning photographer and consumer markets, although the company does offers some high-speed models for more advanced photographers. Most of these models can shoot a dozen or more still images per second, and they can shoot high-speed movies, too. You can snap a still while filming video, and you can also change slow-mo speeds while filming, flipping between 30 and 210 frames per second with the touch of a button.

For the rest of this article and where to buy a Casio Digital Camera go to

http://CASIOEXILIMDIGITALCAMERAREVIEW.COM

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Selling Stock Photos: Tips for Getting Your Photos Approved at Stock Photo Agencies

If you are interested in selling stock photos at agencies, one of the first hurdles you will face is getting the images you submit approved for sale by those agencies. Different agencies will have different criteria by which they judge your photos, of course, but here are a few tips to help get your photos approved with most stock photo agencies:

1) Submit photos with an image resolution of at least 5 mega pixels. Better quality photos can be used for more applications, so you should shoot the photos you plan on submitting to stock photo agencies at a high resolution.

2) Do not submit too many photos at once. Keep the total number of photographs you submit at once to less than 50. Remember, a real human will be reviewing each and every photograph, and they are more likely to reject your photos if they feel like you are spamming the submission system.

3) Attach appropriate keyword tags, but not too many. Keywords are very important for the photos being found by prospective buyers, but too many keywords will look like spam and raise the probability of their being rejected.

4) Edit the images as little as possible. Using Adobe Photoshop or other applications to “improve” the photographs actually decreases the overall quality of the photo, so use these applications as little as possible. Instead, aim to take good photos that do not need editing later.

5) Submit quality photos. Get the light right, make sure they are in focus, use a tripod if necessary. Learn the basics of digital photography to make sure your photos are as good as they can be!

To learn more about how to successfully sell your photographs online, checkout the Camera Dollars 2.0 System.

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